Korean Porn Movies

Korean porn movies are sexy, erotic and incredibly satisfying. While most will include nudity and sex, they are also full of incredible acting and amazing plotting.

This is one of the most erotic historical Korean films. It is based on a real story of a couple who meets in secret.
A Frozen Flower

A Frozen Flower is a lush period drama that depicts a gay relationship between a Goryeo King and his bodyguard. In a culture that is still very conservative on gay issues, this movie has broken some barriers and raised awareness of homosexuality in Korea. Despite the fact that it is not a perfect film, it is definitely worth watching.한국야동

Jo In-Sung and Jo Jin-Mo are both wonderful actors and they give strong performances in this movie. The director Yoo Ha is a talented filmmaker and she captures the mood of this time period perfectly. The costumes and sets are breathtakingly beautiful. Everything is detailed with intricate embroidery, rich colors and ornate head-pieces. The palace scenes are especially stunning. There are many crowd scenes and festivals in this movie that add to the overall feeling of the film.

The plot of the film is simple enough – a King orders his bodyguard to impregnate his queen so that they can produce an heir to the throne. This is done to secure the kingdom’s future against the growing threat of China. But Hong Lim, the King’s bodyguard, is in love with the Queen and does not want to violate his honor to fulfill the king’s wishes.

When he finds out that the king is in love with him, Hong Lim is devastated and he seeks revenge against the King. The film ends with the King and Hong Rim dying, looking at each other. The ending of the film is bittersweet, but it could be interpreted as a way for the two lovers to reconcile their feelings for each other before they died. This is a film that should not be missed if you are a fan of gay cinema or if you are interested in historical dramas.
The Scent

Despite -or perhaps because of – the erotic slant given to this film’s marketing The Scent is a taut thriller with an interesting exploration of ethics and morality. Detective Kang Sun-woo is investigating the killing of a woman whose corpse bears a striking resemblance to Su-jin, his ex-wife who was convicted for adultery and who now has a new husband. He recognises her by the distinctive perfume she always wears – it’s the only thing that links them.

He tries to keep his feelings at bay but as the evidence mounts he is forced to take an ethical stand. The result is a compelling story of revenge and redemption, tense and taut with some pretty explicit nudity and steamy scenes justifying this R21 rating.
Sesangggeutui Sarang

A young woman is raped as an act of revenge by gangsters who have overstayed their financial debts with her family. To protect her, her childhood boyfriend In-ho retaliates and ends up being sent to prison. Desperate for a way out, the girl asks for help from her uncle. He arranges for her to escape into Japan, but when In-ho follows them, he is arrested.

Este pelicula fue estrenada en 2015 y puede ser encontrada en servicios de PPV y VoD como Netflix. La pelicula Sesangggeutui Sarang tiene un total de 100 minutos de video HD.

Ye-ji Kong is an actress who starred in Shuttlecock (2013) and The Silenced (2015). She has also worked as a model.
A Good Lawyer’s Wife

With a sexy premise and frank dialogue, this satirical film from South Korean director Im Sang-soo sheds a dark light on middle-class mores in South Korea. The film’s story revolves around the various affairs of a bourgeois family and their eventual disintegration. It is set in the swanky suburbs of a large South Korean city. Lawyer Yeong-jak (Hwang Jung-min) appears to have it all – a high-paying career, a beautiful wife, and an adorable adopted son – but he is insecure about his masculinity and lacks emotional intimacy with his wife. He spends long hours at work and is a frequent drunk. He also has a young mistress, an artist named Yeon (Baek Jeong-rim).

While Hojung tries to be the perfect wife and mother, she feels empty inside. She gives up her dance career to focus on raising their son and teaching at a local dance studio. She is bored and represses her sexual urges. Unsatisfied with her husband, she begins to flirt with a teenage boy who lives next door.

One night, Hojung follows the boy to an abandoned dance hall. Without exchanging a word, she lets him mount her while she gives him a handjob and moans in pain. When he finally falls to the floor, she pulls him down and gives him another orgasm.

It seems callous that Byung-han prioritises her lover over her family but is it not a case of a woman having to make a choice between her desires and her role as a mother? The premise of the film suggests that it is impossible for this wealthy middle class family to find stability in their sexually dysfunctional lifestyles. The film’s frank and energetic sex scenes – which would have been deemed shocking in Korea a decade ago – and the ultimate deterioration of family ties is sure to elicit a gut-wrenching response from audiences.
The Handmaiden

The Handmaiden is the latest masterpiece from a master of genres, Park Chan-wook, the director behind crossover hits Old Boy and Thirst. It’s a sumptuous period romance, a sexy spy thriller replete with double-crosses and secret identities, and a disturbing tale of love and betrayal. But it’s also an inherently feminist film, a story of women navigating multiple codes and strata of power.

The movie follows Sook-hee, a petty pickpocket who falls for a lady with a taste for gold and pornography. She has the beauty and education of a noblewoman but is as cunning as any thief. She can switch languages mid-sentence and even pick up on honorifics from the way people speak. The chemistry between her and Hideko is electric, and the two share a mutual attraction.

As she gets closer to Hideko, Sook-hee becomes increasingly entangled in the woman’s schemes. One involves a stolen book, which the Count has been using to seduce his wife. Hideko has it hidden in her cleavage. Another involves a book of erotic stories that the Count reads to his henchmen, and one in particular features a knight getting garroted while having sex.

The Handmaiden isn’t the craziest film content-wise (that award would go to 2016’s Oldboy), but it does feature plenty of sex and violence. It’s an intoxicating study of code-switching and a theatre of power played with the ropes that rig society to elevate the few and subjugate the many. It’s also a profound meditation on the limits of female desire and autonomy. It’s too often that we see bisexual or lesbian characters fetishized in films for the sake of male audiences, but The Handmaiden avoids pigeonholing its women.